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I've been following the forum posts silently for some time. After looking into the Concept theoretically I'm finally beginning to put it into practice (long time due
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I want to crasp the concept *by ear*.
So I have a question about playing the progressions from Test B (p. 68 ff):
What type of chords/voicings should I play against the melody ?
If i take the chordnames "literally", f.e. playing LA VI against a min7 (1 b3 5 b7) already sounds pretty outgoing to me. Playing Fm/maj7 Bbm/maj7 doesn't sound "quite right" as a progression. Min6 seems to be a neutral choice in this case, falling into place with the LA VI chordmode.
Somewhere it is mentioned that for II PMG it is sufficient to only play the tonic and b7 as comp. What about the other PMGs ?
I feel like missing a fundamental point of the concept to put it into practice. Maybe I should also mention, that I'm not an experienced jazz player...
thanks a lot !