ML's post @AAJ, nice voicings, question about the CDR

The main body of the LCC and its practical application, including all 4 published versions of Book 1 with their inserts: the 1959 tan cover; the 1959 light green cover Japanese edition; the 1970‘s white cover, which adds an illustrated River Trip to the 1959 edition, and the currently available Fourth Edition, 2001.

The authorization code is the first word on Page 198 of the Fourth Edition of the LCCTO.

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guitarjazz
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Joined: Wed Dec 20, 2006 10:15 pm

Re: ML's post @AAJ, nice voicings, question about the CDR

Post by guitarjazz »

Your question is essentially about making sense of the Parent Scale choice. This is a VTG topic. CDR is a description of behavior in HTG or SVTG.
Your solution, treating the Ab7 chord as belonging to the II PMG is certainly the most ingoing and a natural starting place. The LCC provides (as does any other 'jazz theory') many other chord/scale options. His use of Bb as the Parent Scale is a possibility, albeit remote.
Fer Carranza
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Location: Argentina

Re: ML's post @AAJ, nice voicings, question about the CDR

Post by Fer Carranza »

This voice collection sounds more close to me like a Bb9 chord than a Ab9b5....
Anatole
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Re: ML's post @AAJ, nice voicings, question about the CDR

Post by Anatole »

Fernando you say your hear the voicing top down D Bb f d c Ab sounds more Bb9 chord than a Ab9b5, even with a Ab in the bass ?! that's interesting.

otherwise, @guitarjazz and everyone, I was wondering if there is not an equivalence between Gb lydian augmented Bb lydian augmented and D lydian augmented as they share the same augmented triad and that is the augmented triad that sounds most characteristic with lydian augmented, as if one lydian augmented would sound a 'shortcut' to the others lydian augmented a maj third away ?
Fer Carranza
Posts: 90
Joined: Sat Sep 30, 2006 8:00 am
Location: Argentina

Re: ML's post @AAJ, nice voicings, question about the CDR

Post by Fer Carranza »

Anatole wrote:Fernando you say your hear the voicing top down D Bb f d c Ab sounds more Bb9 chord than a Ab9b5, even with a Ab in the bass ?! that's interesting.
Yes, it´s the third invertion of Bb7/9 chord with Ab in the root.....Bb9/Ab, and for me it´s a II degree of Ab Lydian Scale in his most ingoing association......
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