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Hi: I can´t remember how LCC deal with dimished chords, in what category of chords they fit??? In example a Edim chord....I tend to link this chord to a A7b9 because they share the most of the tones in common: E-G-Bb-Db (E dim) and A-C#-E-G-Bb (A7b9). Do you make the same assumption??? Thanks folks,...

In a board sense I think you are right. But I think anyway that modern educators believe in LCC but for not be labeled like LCC defenders they simply denied on it, but in his books one can see the subtle influence of this revolutionary way to understand music. In example, every educator point #11 to...

Hi: Since a long time in shadows I return to this forum, mainly to share how I use it. I don´t take in account if the melody is composed in LCC or not, or the sense of melody, horizontally or vertically, I wear this system in everything and everywhere, perhaps if I do an improvisation of 3 o 4 round...

I use differents scales for composition, I don´t remember if this scale in particular was used by me. Searching in my compositions I found one called "En el Camino", where I use (remember that I don´t knowed the Concept yet) this collection: C-D-Eb-E-F#-G-Bb, and the chords I wear for ha...

I read again the book, that´s right, I forgotten this subject. I understand it, the dual feature of these CMG drives to yours appreciations....thank you Chesper and you guys!!!!! One uses this Concept in one way, with one point of view, starting from chords to scales, using CMGs, PMGs and SMGs, but...

I read the book three years ago, and since that, I worked with it in standards and in my own compositions, like a source to improvise, and to me it´s easy now to do it. I don´t remember to have read anything like you says in that way, but I must to read again the concepts in the book, but I don´t...

It´s very interesting....., after your posts I tried horizontally to resolve to F major like you say and it´s very useful in this way, but the differents Keys to consider to work opens more and more the scope to diversity in composition. So, the question is what is the more ingoing environment of ...

thanks for your approaches to this subject!!!!! Your points of views brings to me new landscapes to work harmonically with this scale that I never thinked. One can addapt the order of the notes to put it to work vertically like you said. thanks again,
Fernando

Hi, I´m taking again before a few years an aproach to unusual scales that I created for composition. I was doing it several years ago, before I meet the LCC. Now, I want to order these scales into the tonal orders gived by the book. In example in a scale named Azul with this notes: C-Db-E-F-G#-A-Bb...

Thanks bob!!!! Happy new year for all LCC forum members!!!!! I´m a hidden voyeur of this forum but I´m in.....See you next year!!!!!!!!

I´m a recognized anxious guy, but some of you know when will be edited Lydian Concept Vol II? And what it the central topic of this new book? Greetings from Argentina (it´s hot like hell here!!!)

Hey, I know this topic has already treated but I don´t remember how the Concept clasiffies the dimished chords, there are taked like an I chord in the chart? Why?

Well, I`m very far from you!!!! I live in Argentina, South America, in a city named Rio Cuarto, in Córdoba state.- Maybe in e-mail way we can be in touch for personal advise. I really love the concept and I think it must be obligatory for all the students. Thanks for all,
Fernando Carranza

Hey people, I´m in the organization of a Private Music School, if it´s all ok I will open the school in March 2008. My question is if there is any institution that teach this concept, or a guy I can contact to be advised in the best way to introduce George Russell´s work in the students. Thank you,

Well, I think it´s clear for me that this forum is mainly for learn, for share, for know people influenced by the concept and your experiences. I´m always reading the posts of this forum but I don´t participate in every subject due two factors: 1) My bad english (I´m from Argentina, South Americ...