lydianchromaticconcept.com

Look, I don´t know if I use this theory in my way, I think it´s in the way that the book suggest. Viewing another example, before to talk about dim chords, if I have a 7b9 chord, I clearly pick this chord like a II degree of a Lydian Scale, and doing so I freely choose one of the seven principal Lyd...

This thread dwells more with philosophy of music, or personal postures in relationship with music. I always believe that to consider a tone like a "passing tone" is a some kind of reductionism, I think that every tone of a scale says something, in other terms, contains an emotional charge,...

Well, I think that every dim chord can be seen in horizontally way using Alternate or Conceptual Modal Tonic Degree, like a Vh of another one, or IIh, or Ih of another one scale. This is located in the same chart A.

Thanks for share your inversions over the chords, I use it when I play piano, in "The Jazz Piano Book" of Mark Levine is very well explained and it´s very cool, but in the guitar, that I play too (well, I use it to compose, I´m not a guitar player), I never thinks on made the inversions th...

I see your point, it just a voicing of a chord without the root. Well, if it's a A13#11, it seems like a II degree of G lydian, but you can use already SMG or AMG. I choose very freely the options, talking about my own stuff.

I really don't understand very well why do you choose to name the first collection of notes as Db11(b5) and no like an inversion of Badd9#5, this is the most natural label for me. And the second is, for me an inversion of Cadd9#5. And another thing, I mostly after the study of this book I always pre...

I'm in too!!! LOL.....

Thanks Salkur, always its good to hear that from another musician, I keep working with new music using LCC, I will share it when was recorded.....

Thanks to linked with this music!!!! I enjoyed a lot!!!! I was hearing another stuff of Coleman, and this is another thing. Just beauty!!! I was thinking the last days one idea, sounds silly but in some way I think that is a path to follow. When we learn the blues scale, it´s a minor scale played ov...

I see your point, and it´s a sure affirmation, but in the other hand everyone can see the draw of the rocket in "The River Trip" figure and the name of Ornette Coleman, like pointing that Coleman´s approach is in some way the door to the Supra Vertical state of harmony, and the sentence &q...

2015 update: I´m now in the process of choossing scales to improvise with my new material and I try to use my scales, crossed with LCC rules. And I found that there is something that I want to share: In some place of this forum someone says that one scales can be viewed like another one with one or ...

LOL!!! Premature ejaculation!!!

Hi: I´m thinking and thinking about the question of Miles Davis to George Russell and the answer that George gave to it, relating all the scales to a Lydian Chromatic Tonic, which provides the seven principal scales, and the scales derived from Alternate and Conceptual Modal Tonics. But, if I must t...

Hi Bob: Thanks for your words!!!! Very encouraging to me.....it`s a way that I must to show some of my work with LCC. Thanks a lot my friend!!!!
Greetings from South America
Fernando Carranza

Thanks Matoi!!! I don´t tell in the post but before I create this scales, I roted it, and I found that when it beguins in E, it became the most inside in the list of tonal orders.
Let´s see: E-G#-A#-B-C-C#-D#, locating this scales in the 8th. tonal order.......